Fratelli Reguitti: Sometimes Major Changes Are Just Small Tweaks!

You might have seen this little teaser from the weekend…

Fratelli RegiuttiAre you wondering what it is?

This piece is not major in terms of its size or even addition to the actual decor, but it is a major piece when it comes down to function and feelin’ the love!

It is designed for, and destined to take care of scenarios like this… gotta love those cords!

Before the Valet (2a)

Anyone else out there appreciate? No, honey, I’m not throwing you under the bus! ;-)

You see, I am partly responsible…

A few years back in a moment of empathetic male camaraderie,  my Dad handed over his clothing valet to hubs. But somehow it ended up becoming a place to hang my grandmother’s quilt, and well, a DIY project for me! Hehem…

So lately I’ve sort of been keeping my eyes open for a replacement valet while on my treasure hunting rounds, and finally last week this 1950s Fratelli Regiutti option appeared!

Fratelli Regiutti Gentleman's Valet

Fratelli Regiutti, an Italian designer behind some well known 1950s furniture pieces including this gentleman’s valet, and variations of it. Don’t you love that, a gentleman’s valet? They were originally made to hang up suits. You can see from the teaser pic, how well made Regiutti valets are. All I really had to do was give this piece a wash-down, clean up the brass shoe rails, and wax the wood. This piece is not at risk of a makeover… for now.

Once in place, this is what happened to hub’s corner of the lair…

Fratelli Regiutti Gentleman's Valet

Yes, the boxes were hidden underneath! And, I promised not to ‘borrow’ this valet for any other use!

What small tweaks have you made that impact major change? Have you ever heard of Fratelli Reguitti? What do you think of his gentleman’s valet?

Thanks for stopping by!

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Photographs by Sheila Zeller. Please link and credit if you choose to use! :-)

 

 

 

 

 

 

Let’s Tumble Up for Saint Patrick’s Day!

Green happens to be one of my favorite colours, and for that reason I especially like Saint Patrick’s Day! Today, in light of Saint Paddy’s Day, I’m featuring this sweet green Art Deco piece from the Audrey Would! collection, and will show you how our modern Audrey might use it today!

This piece was made by the Dunbar Glass Co. out of West Virginia in the early 1930s-40s, and was called a  tumble up set. The small glass, known as the tumble, doubled as the lid. Today these sets are commonly referred to as bedside water carafes, and a hotel I recently stayed in actually had a set very similar to this one on each side of the bed!

Dunbar Glass Co - Green Glass Tumble Up Set

Dunbar Glass Co. was in business for 40 years, between 1913 and 1953. They began making household glassware in the 1920s; sadly the factory was later destroyed by fire, and as a result Dunbar glassware pieces are harder-to-find collectibles. This green tumble up set is one of Dunbar’s later pieces, but because of the fire is actually quite rare.

However, the more common tumble up sets were produced mainly in the 1930s and were typically made of pink Depression glass. These pink carafes usually had ridges around the body and base, with the tumbles matching the ridges in their design, like the set below.

Dunbar Glass Pink Tumble Up Set

{Source}

The design was later modified as you can see here in the green set.

Art Deco Dunbar Glass Bedside Water Carafe - Green

Notice there are no ridges at the base of the carafe, they are around its neck instead, and the tumble is without ridges at all. The newer carafes also had a pouring lip shaped into their rim. But the key design modification was in how the tumble fit the carafe as a lid. In the earlier sets the tumble fit over the outside of the carafe’s neck, but with this carafe you can see the tumble fits inside. A definite improvement in the design, because the tumble could be replaced after use and the water would not roll down the outside! If you look back at the pink carafe notice the difference in the rim and the tumble lid?

I can see how useful a tumble up set might be for its intended purpose, but how about modern Audrey? How do you think she might use this Art Deco piece today?

This is what I see…

Dunbar Glass Co - Green Tumble Up Set

Yes, I think this little tumble up set would be perfect at a desk. In today’s modern world we spend a lot of time at our desks whether on the job or at home, and staying hydrated is key.

But we also have modern technology that doesn’t play well with water as a contact sport!

Dunbar Glass Co - Green Tumble Up Set

I think our modern Audrey can have both. She can have her technology and water at her fingertips, too. All she needs is a tumble up set like this!

Dunbar Glass Co - Green Tumble Up Set

What do you think? Is this something you might choose to use in your desktop routine? See listing details here for this vintage Dunbar tumble up!

And if you missed Audrey’s collection dedicated to all things green, here is another look…

Audrey Would! - Green Collection

May the luck of the Irish be with you!

Happy Saint Patrick’s Day, and thanks for stopping by!

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Photographs by Sheila Zeller unless otherwise indicated. Please credit and link if you choose to use! :-)

 

Multi-purposing Ombre Barware: Transitioning Flowers from Morning to Night!

Vintage barware can be so much more than meets the eye – you just have to see it with a different eye! Here I take an everyday floral bouquet, and present it in a bouquet of vintage ombre vessels showing you how to multi-purpose the barware, and transition flowers from morning to night!

These are the ombre vessels I started with…

Vintage Silver Ombre Carafes & PitchersFrom L-R, a 1950-60s Vitreon Queens Lustreware carafe, Libbey carafe and Vitreon Queens cocktail pitcher.

I also selected an embossed ombre roly poly (below). This roly has a lot of its ombre worn off around the embossed pattern, so it’s become a spare in the Audrey collection – not for sale, but too pretty to ignore. The everyday bouquet you see is a simple mix of flowers in deep reds and white. To honour this coming Saint Patrick’s Day I picked up a pot of Irish Moss and some extra filler in bright pops of green!

Embossed Ombre Roly Poly

I’ve put my own spin on a current and popular  trend to group different but similar vases together with the same type of flower. See more of the latest trends over at ProFlowers blog here! Instead of staying with the same flower, it’s the mercury fade (ombre) that I’m highlighting as the common theme. My twist is taking the every day bouquet from a daytime setting to an evening presentation!

Ombre Barware as Vases

These mini brandy snifters are more seconds in Audrey’s mix, but I refuse to say, all is lost. I opted to incorporate candles into this theme and decided to use them for tealight holders instead! Pairing candlelight with the ombre’s reflective surface was simply a natural fit.

By planting the Irish Moss in the roly poly, I was able to camouflage the worn ombre, and give this vintage glass new life.

Embossed Ombre Roly Poly as a Planter

The flicker of candlelight made the embossed pattern come alive.

Embossed Ombre Roly Poly in Candlelight

To reinforce the silver reflective theme, I’ve set the roly on a 1960s Park Sherman crystal coaster with a silver plated rim, and the tealights on Kimiko mercury glass coasters.

And to pull everything together the arrangement of flowers, candles and coasters have been set out on a vintage Canadian ‘Silhouette Quality’ tin tray with a leaf pattern that reinforces the cut stems and greenery.

Ombre Vessels in Flower Arrangements

I’ve set the tray on layered linen tea towels to warm and soften the feel of the cool, reflective surfaces, to define the overall presentation, and to pull together the colour scheme. The tea towels are what make this presentation work by day, giving it a cheery, relaxed feel.

I’ve kept the floral presentation more casual by adding Bear Grass, allowing it to whisp freely and umbrella the tray.

Vintage Canadian 'Silhouette Quality' Tin Tray

It’s the deep coloured flowers, the candles and reflective surfaces of the sleek, elegant ombre that make this presentation work by night!

Silver Ombre Vessels as Vases

Do you notice how the linen tea towels blend and almost fade away? If you really want to change the feel for the evening, just lift the tray and remove the tea towels – it’s that simple!

A recap of tips:

  • utilize vessels beyond their intended purpose – here it was vintage barware
  • pick your common theme and run with it – in this case, vintage pieces with reflective surfaces, candlelight, and deep red flowers
  • draw the eye into the whole scene – I did this by using similar but not identical pieces positioned at varying heights
  • integrate layering and texture – I layered the main vessels onto the tray and coasters, and brought the whole presentation together by placing it on the layered tea towels
  • group and run the odds – the larger vessels are grouped together, the candles and coasters placed out front, and I’ve used odd numbers of like things
  • think subtle reinforcements – here, the connection of colour in the flowers to the tea towels, reflective surfaces of the pieces to the flickering of candlelight, leaf pattern on the tray to cut stems and greenery – all work together to reinforce the overall presentation.

Vintage Silver Ombre Barware as Vases

At this time of year you can lighten things up with pretty pinks and yellows, purples and whites, but I like the drama of deep red against the silver tones in these vintage barware pieces… even though I know Audrey Would ‘think pink’!

What floral presentations are you noticing and loving these days? What items have you seen multi-purposed to stand in for vases instead?

Thanks for stopping by!

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Photographs by Sheila Zeller. Please credit and link if you choose to use! :-)

 

 

Mixing DIY and Vintage Glam for a Modern Vintage Look

The much anticipated VintAGEous Fair in Victoria has come and gone. It was a lot of fun and a successful day with a huge thank you to Sarah Rempel for her stellar organizing of the event, and to all the customers who stopped by!

In prepping for an event like this there is a lot of work that goes on behind the scenes, and for me one of the things I focus on is presentation. How am I going to maximize my space, feature a variety of pieces AND keep them safely on display? This time around I decided to have some fun juxtaposing a rustic vintage look with the vintage glam of Audrey Would! Do you remember these pallets I posted on Facebook and Instagram?

Pallets

A super big thank you goes out to Leigh Davies for parting with them! Leigh had a plan for the pallets, but passed them on to me instead putting her own project on hold! I’m guessing the pallets had something to do with Mid-Island Ink Depot,  ’the’ place to buy toner cartridges in the Cowichan Valley! Leigh is ‘Mrs. Ink’ in the mix of Chris and Leigh, Chris of course being Mr. Ink!

So the pallets…

I asked my Dad to turn them into rustic crates. My idea was to pack them with inventory selected for the fair, and then use them to display the pieces. When you’re in a limited footprint it’s important to utilize your vertical space, and in this case my footprint was a 6′ table, so I had to create my own verticle!

These are the first four crates. My Dad’s neighbour, Bryan came up with a few more pallets and that was enough for me to end up with seven crates!

DIY Crates from Pallets

I wanted reasonable gaps between each slat to allow a little light in. With presentation in mind I also toyed with giving each crate a sanding and watered down staining for a more weathered look, but decided to leave that for another time!

When I’m pulling inventory for a fair I always do a test-run set-up. I find this really helps me narrow down the pieces and once there, makes set-up go quickly and smoothly. In this case, because the crates are made with pallets, I had to figure out which ones ‘fit’ best together. They’re all ‘roughly’ the same, but some slats are a bit warped, others not perfectly square.

Here’s a little look at my ‘Operation Basement’ test-run! This is an 8′ table, so I’ve taped it off at 6′. The pieces off to the side are back-up pieces I selected to replace items as they sold.

Test-run Table Set-Up - VintAGEous Fair

Like any behind-the-scenes, you can see there’s a lot less glamour than meets the public eye! I think that’s part of the challenge – to envision each display regardless of its surroundings. At the fairs you have no control over the backdrop, so all you can do is focus on your own display.

Another thing I try to do is put out a good selection while still keeping it presented. Less is more as a general rule of thumb, but for fairs I pack more into the space than I normally would. I try to layer the pieces down and bring them out while staying focused on theme, visual interest and overall flow. I place sparkly pieces where they will catch and bounce the light, and with this display my hope was the pieces out front would draw the eye to what was displayed in the crates.

Display Collage

Remember I said you have no control over the backdrop of your space?

Display Set-Up - VintAGEous Fair

In this case my table was set up in the daycare area of the Fernwood Community Centre!

Another part of my presentation is to draw the eye up, and with this display I featured larger pieces with chrome, and stood a crystal tray behind the glasses for sparkle en mass! This is where having a sign also really helps!

Display Set-Up - VintAGEous Fair

Behind the sloped trim is actually an access ramp to the area, which worked well for where my table was placed. Everyone coming down the ramp was able to see my table, and I hope the shiny sign and sparkle of the pieces helped catch their eye!

Since the Oscars were hot on the heels of the fair, and by now you all know the inspiration behind ‘Audrey’, this was my center display.

Disply - Center Section - VintAGEous Fair

Audrey Hepburn with her Oscar for the leading role in Roman Holiday, her first Hollywood movie and first leading role! I featured the tall clear decanter with this display, because it reminded me of the Oscar Audrey is holding! Here Audrey is attending the 54th Oscars.

In keeping with the theme, this year we watched the 86th Oscars at home in vintage Audrey Would! style…

Audrey Would! - Vintage Pieces - 86th Oscars

  • Northern Divine caviar served in a classic bamboo stemmed coupe;
  • Prosecco in sleek vintage Czechoslovakian crystal coupes; and
  • Ceasar salad in the vintage Baribocraft bowls I featured here and here.

Simple and elegant at-home-chic. So much fun! There is something to be said for classic vintage, don’t you think?

If you weren’t able to attend the VintAGEous Fair, you will find many of the pieces I had there over at Audrey Would! I am working on listing more pieces for you to see, so  don’t hesitate to contact me if you are looking for something special, or saw a treasure you wished you’d picked up. I am always happy to help!

Thanks for stopping by!

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Photographs by Sheila Zeller. Please credit and link if you choose to use!

Modern Audrey: Today’s Use for the Vintage Murano Glass Ashtray!

Murano glass is incredibly beautiful, and in its vintage day was often made into ashtrays. But with the glamour days of Lucky Strike long gone, the ashtray has been removed from pride of place in the home, and more often than not, stashed in a cupboard or thoughtlessly tossed away. I say, what a shame! What a shame to lose sight of the beauty within the object.

Murano glass is thick and masterfully crafted, the layers of colour so pretty…

Green Swirl Murano Glass Ashtray 1

I love the way light dances, bounces and sparkles as it brings exquisite pieces to life.

Green Swirl Murano Glass Ashtray 2

A flower bowl is just one way to transition vintage Murano art glass ashtrays into modern times. Other uses – a dip bowl, candy or nut dish, paperclip dish, kitchen scrubbie container, and if you’re gentle, it’s even great for a set of keys. They say you can’t teach an old dog new tricks, but Audrey Would! says you can! Find more details on this vintage beauty here.

How would you use this piece?

Thanks for stopping by!

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Photographs by Sheila Zeller. Please link and credit if you choose to use! :-)

 

Iconic Jascha Brojdo… Georges Briard

This is an article re-post originally written for Audrey Would! back in August 2013. Now that Audrey related blog posts are featured here, I wanted to re-share, because I love the story behind this Mid-Century great, and his ornately detailed pieces.

You know a notable designer when you see one – that is, when you search for a photograph of him, and all that comes up, image after image, is his amazing work!

Jascha Brojdo. Do you know who I’m talking about?

Photograph of Georges Briard - Anthology House

{Source: Anthologie House}

That’s right. Georges Briard!

Georges Briard was born in the Ukraine in 1917 under the birth name of Jascha Brojdo. At the age of 20 he made his way from Poland to Chicago where he earned his Master of Fine Arts (MFA) at the Art Institute of Chicago. Do you know he also studied at the University of Chicago?

Jascha, being fluent in several languages, also served for the US Army in WWII as a Russian translator. He was discharged in 1947, and that’s when his life took on the shape we now connect him to.

A known, or maybe lesser know fact, Georges was an artist first, a designer second, which was ultimately instrumental in his use of Brojdo vs. Briard. But first, how did Georges Briard even come to be? How did he get that name from Jascha Brojdo?

After Jascha was discharged from the army, by the 1950s he had started working in New York with Max Willie whom he met in art school. Jascha first hand painted blank trays, which quickly became a huge success. These trays were initially signed with ‘Brojdo’, but because they were such a success, Willie came up with a pseudonym to mark Brojdo’s commercial pieces, and save his personal last name for his paintings. This is when Georges Briard was born!

How the actual name, Georges Briard, was chosen is mildly amusing. Willie liked ‘Georges’ simply because it sounded very ‘French’, and Briard after the breed of dog he [Willie] had recently lost! No, we’re not making this up!

Georges Briard became most well known through the 1950s, 60s and 70s for his signature dishware and glassware, from basic pieces to gold plated serving dishes. He was behind some of the decorated pieces of companies like Libbey and Anchor Hocking, as he would buy them clear, add his artistry and sign off with his finishing touch.

Georges Briard was also known for his ornate barware pieces like you see here.

Briard Pieces

I am of course swooning, and so excited to currently have this collection available at Audrey Would! {Bar Tools} {Gold Filigree Ice Bucket} {Gold Filigree Highball Glasses}

Though he never did officially change his name, in spite of how or where Jascha Brojdo’s designer name came from, the bottom line is the 22k gold signature we have all come to know was, and still is his brand.

Georges Briard Gold Ice Bucket - 22k Gold Signature 

Jascha Brojdo died on July 30, 2005… Georges Briard lives on today!

I am happy to raise a glass in celebration of Jascha Brojdo yesterday, Georges Briard today. Will you join me?

Thanks for stopping by!

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Photographs by Sheila Zeller unless otherwise indicated. Please link and credit if you choose to use! :-)

 

A Sweet Baribocraft Love Story…

Three years ago I fell in love with these vintage bowls by Baribocraft, and we’ve been going steady ever since!

Vintage Baribocraft Salad Bowls

If Baribocraft is new to you, they were a Canadian company out of Montreal during the late 1950s-70s that specialized in the production of maple and teak woodenware. I wrote an article about Baribocraft here, and at the time only had these bowls to feature, along with sourced images to share. Today nearly all of the pieces featured in the article are my very own, swapped out along the way as I was lucky enough to find them.

But my love affair with Baribo is not the love story I have for you on Valentines Day! The one I’m sharing is so sweet and, in my opionion, is love on many levels…

Hi Sheila,

I have a the tall pepper grinder and salt shaker you show on your webpage. My parents had been on vacation at some point in the late 50′s or early 60′s and my mother fell in love with a pepper grinder (a previously unknown item to her) in a restaurant. My father went back the next day to find out where they came from and he bought them as a gift for her. I am 65 years old and my parents have long since passed, but, I use that pepper mill every day, and it is still grinding well!!! That is a testament to the quality of Baribocraft!
Regards,
Janice

Isn’t this amazing? I love this story and am so grateful to Janice for sharing this beautiful moment with us, a moment that has lingered and spanned the decades.

This is the Baribocraft salt and pepper set like Janice has, and is one of the more rare finds in my treasure hunts. Aren’t they stunning?

Baribocraft Salt & Pepper Set - Kaleigh's

I found them 2 years ago, cleaned them up with TLC and conditioned them with butcher block oil. This set was claimed by my daughter Kaleigh for her own future home! It makes me happy that a young person of today sees the same special ‘something’ in vintage Baribo that Janice’s mother saw back in the day of what was new Baribo. Isn’t that what the love of vintage is all about!

I’ve been blogging for almost four years now, and my Baribo article has generated a lot of interest and stories along the way. To really get a sense of Baribocraft’s impact on people’s lives, take a read through the comment thread spanning the last few years here. It really gives you a sense of how Baribo was more than woodenware. It has truly played a role in the heart of home.

Baribocraft is a part of Canadian history, a legacy of their own, and Baribo pieces are treasures to hold dear!

Who knew back then I would still be going steady with Baribo now, and be featuring Baribocraft pieces in an online boutique called Audrey Would! :-)

Happy Valentines Day!

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A Chic New Look With Country Chic Paint!

I thrifted this sad little table almost a year ago; you might remember this shot I shared back then of my rescue piece. The lamp, however, was SO left behind!

Leather Topped End Table 'Before'

Overall the table was in pretty rough shape, other than the leather top. When my daughter Kaleigh saw it she wanted to make it hers – after a DIY of course! ;-) She wanted it black, I wasn’t so sure, and she insisted the vintage knobs needed to go. Huh?

I found replacement vintage knobs at General Salvage early in the game.

Replacement Knobs

That’s basically where the DIY was left.

Fast forward to Country Chic Paint, a new quality chalk paint local to Duncan, and suddenly this table was front of mind!

Country Chic Paint (1)

With the leather top to consider, I wasn’t too keen on extra sanding and priming, and with this paint I could leave out both! Country Chic Paint requires little to no prep, has no VOCs, is near odorless and dries quickly. Bonus!! I think you know where I’m going with this.

One can of Liquorice coloured Country Chic Paint for the makeover!

Country Chic 'Liquorice' Chalk Paint

Before I could begin I had to do a little prep. Some gluing and repairs were needed where one spindle had broken away from the table base.

Leather Top End Table Repairs

And because the table was in such tough shape I actually did do some pre-sanding to smooth the rough patches and edges a little.

Leather Top End Table - Sanding Prep

The table also had a glossy finish on it,  so a light sanding helps the paint stick. Priming is actually recommended for certain surfaces like mahogany, but I opted out of the priming because of the darker colour it was being painted. I wasn’t worried about bleed through from resins in the wood, but I’ve had that misfortune in the past. More on that here!

I also protected the leather top by covering it with paper and taping it off. I made sure the paper went over the gold leaf tooling because I was worried the tape might pull the gold off.

Leather Top End Table - Tabletop Prep 2

The last thing I did was raise the table on pushpins. This is a great trick for painting right to the bottom of the legs!

Leather_Top_End_Table_-_Painting_Prep_2

I used a synthetic bristle paintbrush, and ended up cutting the handle off because it kept getting in the way of painting the lower shelf!

Leather Top Table Makeover - Synthetic Paint Brush

The paint was a dream to work with. It went on easily, dried quickly and no lumps were left behind. The best part… no sanding needed between coats!

Leather Top End Table - 1st & 2nd Coats Paint

I actually liked the look after the first coat – some of the original brown was peeking through, but Kaleigh wasn’t game. She also didn’t want me to do any distressing – one of the very things chalk paint is so awesome for! After the second coat I let the paint dry overnight, and then applied the finishing wax. All the waxes are made up of bees wax and other natural oils. No solvents!

I applied natural coloured wax first as a protective layer, and here you can see the waxy shine next to the unwaxed chalky surface.

Leather Top Table - Wax Coats

I used the antiquing wax for a second round because I wanted to tone down the black of the liquorice. The antiquing wax did the trick adding just the hint of brown I was hoping for. If you compare the bottom table image to the one above it you can see the difference.

One of the reasons for this tutorial is to demonstrate that chalk paint is versatile. It is commonly used for antiquing, distressing and giving pieces an aged look, but as you can see it is also great for a shiny finished look!

Here’s a look at the stages.

Before:

Leather Top Table Makeover - Before

Chalk Paint applied, but no wax:

Leather Top Table Makeover - In Progress - Chalk Paint Only

Antiquing wax applied and leather top treated with leather conditioner.

Leather Top Table - After 011

Notice how the liquorice colour pulls out the black tooling detail in the border and makes it pop?

Here’s a closer look…

Leather Top Table - After 076

In the lower left corner you can also see the brownish hue of the antiquing wax along the beveled edge of the table.

What do you think? Are you ready for a brandy??

Leather Top Table - After 074

Thank you Country Chic Paint for introducing me to your product!

And thank YOU for stopping by!

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Photographs by Sheila Zeller. Please link and credit if you choose to use! :-)

 

A New Site for Audrey Would!

After a little over a month of working it out, I am thrilled to say Audrey Would!‘s new site is live… just in time for Valentines Day! You can expect to see more classic, sleek and glam pieces like these!

Classic Bamboo Stemmed Coupes

There will inevitably be tweaks and things to fix along the way – I’m pretty sure that’s called ‘transition’. ;-) In the mean time I would love for you to stop by and take a peek. If you see anything askew, please let me know!

There is a lot more to come, but for now I hope you like what you see!

Thanks for stopping by!

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Why Do I Love Vintage?

Why do I love vintage?

I attended an estate sale yesterday that was run by the family members, and as pieces were contemplated by those of us looking to buy, stories and memories were shared. I felt privileged to be in the midst, as it was clear the pieces for sale had seen many years of family love… and as each member shared another moment connected back to their treasures, the reasons that I love vintage were underscored for me.

Vintage pieces are the stories in peoples’ lives.

Vintage pieces have stood the test of time.

Mikasa Cera Stone Creamer by Jonas Roberts, c.1960s, D1800 Brown

Like this Mikasa Cera Stone creamer by Jonas Roberts, circa 1960s. 50-ish years this piece has been around, and it’s in perfect condition!

Vintage pieces have seen more than we’ll ever know.

Mikasa Cera Stone Creamers by Jonas Roberts, c.1960s, D1800 Brown

Like these three Mikasa Cera Stone creamers all lined up in a row. Each has lived a separate life, and yet somehow their paths have crossed to become a family of three. All are in mint condition. What are the chances after 50 some odd years in existence?

Vintage pieces come from their very own family.

Mikasa Cera Stone Cream & Sugar Sets by Jonas Roberts, c.1960s, D1800 Brown

They’ve traveled around, have stories to share, and some of their stories we’ll never know…

But as we bring vintage treasures into our own lives, we get to continue their legacy of ‘being’. And we get to build our own stories in to the tapestry of their past.

I’m sharing these thoughts with you, because of…

The Beauty

Yesterday I witnessed vintage treasures being lovingly moved on. It was a special moment in time that I won’t soon forget.

The Tragedy

And then a little later on I experienced a stark contrast to that. I was in a ‘shop’, the name I won’t disclose, where glassware was being cleared from the shelves, apparently destined for another ‘shop’. The glassware was a mix of vintage and not so new, and it was literally being tossed into a cart without care. I couldn’t believe what I was seeing… and more disturbing, what I was hearing. The sound of breaking, chipping glass. Why? It made me so sad that these unsuspecting pieces were being handled this way, that their chances for survival were so carelessly disregarded…

The Opportunity

We’ll never know why… but we do know there are great pieces out there waiting for a loving home. If you shop vintage, go find them before it’s too late! If you aren’t a vintage shopper, do you think you might want to give it a try?

These are just a few of the reasons why I love vintage!!! I hope you’re having a great weekend. Pop by tomorrow… I have a very special guest joining sZinteriors, and there just might be a connection to this post! ;-)

Thanks for stopping by!

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Photographs by Sheila Zeller